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Old March 26th, 2014 #1
Alex Linder
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Default #1 Music Industry Thread

fascinating on pop music and sweden
http://www.psmag.com/navigation/book...fluence-73966/
 
Old July 30th, 2019 #2
Stewart Meadows
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Originally Posted by Alex Linder View Post
fascinating on pop music and sweden
http://www.psmag.com/navigation/book...fluence-73966/
Quote:
At some point over the last 15 years—sometime, say, between the 1999 release of “I Want It That Way” by the Backstreet Boys and last year’s “Roar” by Katy Perry—it became an inescapable fact that if you want to understand American pop music, you pretty much have to understand Sweden.

Songwriters and producers from Stockholm have buttressed the careers of Lady Gaga, Madonna, Usher, Avril Lavigne, Britney Spears, The Backstreet Boys, Pitbull, Taylor Swift, One Direction, Maroon 5, Kelly Clarkson, and any number of other artists you’ve probably listened to while dancing, shopping, making out, or waiting on hold over the past decade. (And it’s not just American pop music that has Scandinavian fingerprints all over it: When Azerbaijan won the Eurovision contest in a 2011 upset, they did it with a song written for them by two Swedes.)

If Americans are aware of this phenomenon, it is probably because they’ve heard about the legendary Swedish producer and songwriter Max Martin. There are any number of ways to express Martin’s ubiquity, but here’s one: From 2010 to 2011, the pop idol Katy Perry spent an unprecedented 69 consecutive weeks in the Billboard top 10, surpassing the previous record-holder, the 1990s Swedish group Ace of Base, by four months. But the milestone was far more of a testament to Martin’s staying power than Perry’s: Not only did he help produce and write all but one of Perry’s record-breaking string of hits, but he began his career as a producer for Ace of Base. Max Martin has produced more number-one songs than anyone besides George Martin, the so-called fifth Beatle.
Yes, fascinating stuff. But I already knew this since I've been following the Swedish music scene closely since the 1990s, when Max Martin's mentor Denniz Pop was producing and writing songs for talented super stars like E-Type, Dr. Alban, Backstreet Boys, Britney Spears, N'Sync, Ace of Base, etc.

It's important to point out, though, that while the talent came from Sweden, the power stayed in jewish hands. For example, look at the following quote from the article in the OP:

Quote:
In the mid-1990s, the great American art of teen pop was being reinvented in Central Florida. The Backstreet Boys, ’N Sync, Britney Spears: All these acts came out of Orlando, through various connections to Walt Disney World and the manager Lou Pearlman. But their hit singles came out of Cheiron. The days when “I Want It That Way” and “...Baby One More Time” dominated the American charts marked the onset of what became known as the Swedish “music miracle.”
The jewish record producer Lou Pearlman embezzled huge sums of money, and amazingly he was caught and sent to prison for it. (Most jews usually get away with their countless crimes.)

Quote:
Louis Jay Pearlman (June 19, 1954 – August 19, 2016) was an American record producer, con artist and fraudster. He was the manager of successful 1990s boy bands such as Backstreet Boys and NSYNC. In 2006, he was accused of running one of the largest and longest-running Ponzi schemes in history, leaving more than $300 million in debts. After being apprehended, he pleaded guilty to conspiracy, money laundering, and making false statements during a bankruptcy proceeding. In 2008, Pearlman was convicted and sentenced to up to 25 years in prison.[3][4] He died in federal custody in 2016. (...) the only child of Jewish parents
https://en.wikipedia.org/wiki/Lou_Pearlman

Pearlman was also a (homo)sexual predator who molested the boys whose careers he was supposed to advance:

Quote:
New Report: Boy Band Guru A Predatory Pedophile


Lou Pearlman - the hog-fat, boy-band honcho who created *NSYNC and the Backstreet Boys and launched the careers of Justin Timberlake and Nick Carter - was a pervy pedophile who preyed on the young men he mentored, Vanity Fair reports.
(...)
Mooney said he once asked Pearlman, who was known as “Big Poppa,” what it would take for him to get into a band. “I’ll never forget this as long as I live. He leaned back in his chair, in his white terry cloth robe and white underwear, and spread his legs,” Mooney told Burrough. “And then he said, and these were his exact words, ‘You’re a smart boy. Figure it out.’
https://www.huffpost.com/entry/new-r...4?guccounter=1

Quote:
Mad About the Boys


Until he fled the country in January, accused of embezzling more than $300 million, Lou Pearlman was famous as the impresario behind the Backstreet Boys and ‘NSync. Turns out his investors weren’t the only victims, colleagues reveal: Pearlman’s passion for boy bands was also a passion for boys.
(...)
Some, especially the teenagers, shrugged and giggled when he showed them pornographic movies or jumped naked onto their beds in the morning to wrestle and play. Others, it appears, didn’t get off so easily. These were the young singers seen emerging from his bedroom late at night, buttoning their pants, sheepish looks on their faces. Some deny anything improper ever happened. But the parents of at least one, a member of the Backstreet Boys, complained. And for any number of young men who sought to join the world’s greatest boy bands, Big Poppa’s attentions were an open secret, the price some paid for fame.

“Some guys joked about it; I remember [one singer] asking me, ‘Have you let Lou blow you yet?’” says Steve Mooney, an aspiring singer who served as Pearlman’s assistant and lived in his home for two years. “I would absolutely say the guy was a sexual predator. All the talent knew what Lou’s game was. If they say no, they’re lying to you.”
https://www.vanityfair.com/news/2007/11/pearlman200711

Lou Pearlman. "Trust me."










Last edited by Stewart Meadows; July 30th, 2019 at 03:56 PM.
 
Old July 30th, 2019 #3
Stewart Meadows
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The music industry is thoroughly jewish, despite a couple of talented Swedish songwriters and producers like (the late) Denniz Pop and Max Martin (although some people have suggested that the latter might actually be a Swedish-born jew). Here's a good VNN thread about how jews are responsible for the anti-white rap/hip-hop garbage:

Jews Behind Obscene & Degenerate Rap and Hip-Hop

https://vnnforum.com/showthread.php?t=66293

An excerpt:

Quote:
Jews Control Hip-Hop


(...) Considering Jews in hip-hop is kind of like finding a stoop sale with a couple of interesting eye-catchers on the sidewalk, and a trove of far more significant treasures further up the stairs. The eye-catchers are the usual suspects-- the Beastie Boys, Remedy of the Wu-Tang Clan, Blood of Abraham, Paul Barman-- MCs whose skills vary and whose Jewishness defies the hip-hop norm. But, their presence on wax is nothing compared to what goes on behind the scenes. Indeed, some of the biggest names in the business are Jewish-- Lyor Cohen of Def Jam, Steve Rifkind of Loud Records, David Mays of The Source-- to say nothing of those who course throughout the industry as label executives, entertainment lawyers, agents, publicists, producers, clothiers, and jewelers. An inquiry to one inevitably references five more: “Oh, have you talked to Gottleib at FUBU? Or Sonenberg who handles Wyclef?” The Jewish presence in hip-hop is huge, and, for the most part, offstage.




And this is the result:









 
Old August 1st, 2019 #4
Stewart Meadows
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The brilliant Eric Striker has written an excellent article about the jews who are responsible for Miley Cyrus's extremely disgusting behavior. Here are some excerpts:

Quote:
Eric Striker – The Devil Has A Name: Who’s Behind Miley Cyrus’ Antics


(...) From circa 2006 to 2011, millions of families throughout our globalized world gathered in front of the Jude-tube to watch the teenage tribute to materialism, feminism, and ugly careerism known as Hannah Montana. The family the show follows is a crude stereotype of the “country bumpkin” Billy Ray worked hard to cultivate and transform into a profitable niche, but in spite of all the passive propaganda (including Miley Cyrus herself claiming it was patterned after Sex in the City, minus the sex ), the show was mostly free of pornography, gore, and suggestiveness–a rare find for parents in the 21st century.
(...)
The Annie Liebovitz controversy was an important signal to the Jewish establishment regarding the lack of responsible supervision over Miley Cyrus, and her potential as a vehicle for aggression in their war against mankind. When Hannah Montana came to an end, and Cyrus’ music career began to wane, she signed with the Jew manager Larry Rudolph, and her behavior has gotten more bizarre and viscerally offensive ever since.

Rudolph has specialized in “rejuvenating” the careers of child stars. The sleazy Ashkenazi pimp, in fact, has been credited with the short-lived pop fad of Cyrus’ fellow ex-Disney channel star Britney Spears, who at barely 16 years of age premiered in the 1999 Baby One More Time , where the Jew Nigel Dick collaborated closely with Rudolph to feature the teenage girl gyrating invitingly in pig tails and an erotically tailored catholic school uniform begging men to “hit her” (the song itself was written and produced by almost certain Jew Martin Sandberg aka “Max Martin”, and was played on loop on MTV and the radio until it grew on America’s young shiksas).

The media masters, it appears, get people like Spears and Cyrus into your living room by introducing them as sweet and innocent kids, then once children start looking at them as role models, suddenly “grow them up”. We all know how Spears ended up, and she was eventually retired after a very public and humiliating psychological break down–it is this, not just profits, that Jews seek for the masses.
https://finesetinitiaheadlines.wordp...-cyrus-antics/

Quote:
With Rudolph at the helm, Cyrus was trained by his people in the art of cultural decline. Millions of impressionable young girls who had followed Cyrus since her Hannah Montana days were subjected to something alien, crude, undignified, and primitive. Unsurprisingly, Cyrus’ “twerking” act was not a lapse in judgment, but in fact, meticulously choreographed by what Esquire Magazine describes as a “hip young Jewish woman from Brooklyn” named Diane Martel.

Reactions to Miley Cyrus performing a public sex act with subhuman ecstacy, where her tongue was fully out of her mouth the entire time she was being dry humped in front of millions, were largely negative. Even outraged blacks, accustomed to seeing such behavior, like “Charlamagne Tha God”, said: “Why you wanna be on this nigga side so bad? I’m trying to cross over.”

Esquire extrapolates in between the lines on the political agenda behind the performance:

“Miley’s application for a hood pass and desire to “corrupt” a nation full of young, white girls to back that thing up has many folks scratching their heads.”

The Jew Martel is no stranger to “tha game”, she experimented first on American negroes without their knowledge by creating the “look and feel of hip-hop’s cultural iconography in the 90s”, and was behind many famous videos that established the “urban aesthetic” of rappers like Wu-Tang Clan, Redman, and Mary J. Blige.

Esquire continues:

“Martel invented Miley’s street cred by reconstructing the manic claustrophobia of Wu-Tang’s late, great ODB, and transporting it to the mansion-sized, Laurel Canyon circle-twerk bacchanal of Cyrus’s “We Can’t Stop” .

Diane Martel was also the architect behind Miley Cyrus’s 2013 VMA performance.”
http://praxis-mag.blogspot.com/2016/...ind-miley.html

And here's the quote about jew shitbag Martel from Esquire:

Quote:
Despite the fact that she is five years into an active AARP membership, Madonna joined Miley Cyrus onstage last night during her MTV Unplugged performance of her twerk-allegiance* anthem "We Can't Stop." As they pushed the softcore envelope with various bumps and grinds, it looked as if Madonna had passed her agent-provocateuress torch to Cyrus
(…)
You can lay the blame of this person twerking on visionary choreographer and filmmaker Diane Martel, the niece of the late legendary New York City theater producer Joseph Papp. Martel is a hip young Jewish woman from Brooklyn,
https://www.esquire.com/entertainmen...rus-blackface/


This is what happens when jews manage to brainwash your children:















"With Rudolph at the helm, Cyrus was trained by his people in the art of cultural decline. Millions of impressionable young girls who had followed Cyrus since her Hannah Montana days were subjected to something alien, crude, undignified, and primitive."

Indeed.
 
Old August 4th, 2019 #5
Stewart Meadows
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Miley Cyrus's disgraceful "career" is a very good example of how evil jews are. It's one thing if a beautiful female singer uses her natural femininity and sex appeal to sell records, but what Miley has been doing (walking around on the stage with a strap-on, shoving her face into a fat negro's ass, etc.) is so sick and disgusting that no normal man could ever find it appealing. These are things that could only come from the twisted mind of a jew.
 
Old August 5th, 2019 #6
Stewart Meadows
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Now let's take a look at the "rapper" Danielle Bregoli a.k.a. Bhad Bhabie (pronounced "bad baby"), an incredibly trashy, attention-whoring, half-jewish, half-Italian teenage girl who became famous after appearing on an episode of Dr. Phil where she bragged about the crimes that she had committed, while speaking with a ghetto negro accent.

Here's an excerpt from the episode, which is called "I Want To Give Up My Car-Stealing, Knife-Wielding, Twerking 13-Year-Old Daughter Who Tried To Frame Me For A Crime":


When jews saw her disgraceful performance they were thrilled and decided to make her a rap star and a role model for Western girls:

Quote:
Danielle Bregoli (born March 26, 2003), better known by her stage name Bhad Bhabie (pronounced "bad baby"), is an American rapper and internet personality. She became known for the viral video meme and catch phrase "cash me outside, how 'bout dah?" after appearing on an episode of Dr. Phil in September 2016.[2] In 2017, Bregoli became the youngest female rapper ever to appear on the Billboard Hot 100 chart with her debut single "These Heaux".[3] She subsequently signed a record deal with Atlantic Records.[4]
https://en.wikipedia.org/wiki/Danielle_Bregoli

Here's the horrifying result:



And the person responsible for it is the music mogul Adam Kluger:

Quote:
'I'll make you a star': How a controversial music executive transformed 'cash me ousside' girl into a Billboard-nominated rapper as everyone - including his own mother - told him he was mad


The music executive who turned Danielle Bregoli from the 'cash me ousside' girl in to a Billboard nominated artist in less than two years says even his own mother didn't think he could do it.

Bregoli, 15, is best known for her September 2016 appearance on Dr Phil, where she threatened to fight her mother on national television before turning on the audience, telling them to 'cash me ousside'.

Then aged 13, she was sent to a live-in rehabilitation center to deal with her issues. Just days after her release, music mogul Adam Kluger was at her door, telling Bregoli: 'I'll make you a star', The New York Times reported.
(...)
Kluger became involved in the music industry in 2008, working with stars including Lady Gaga, Christina Aguilera and Flo Rida.

He built a career on fostering deals between stars and brands. He set up clothing label Vixen’s Visions with Lady Gaga, Aguilera and the Oranum psychic hotline, Flo Rida and the porn site Live Jasmin.
(...)
Since teaming up with Kluger, Bregoli's 15 minutes of fame have turned into nearly three years, with the now 15-year-old about to embark on a European tour and nominated for top female rapper at the Billboard music awards
https://www.dailymail.co.uk/news/art...ed-rapper.html

Adam Kluger:



 
Old July 25th, 2020 #7
Stewart Meadows
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UK rapper Wiley goes on anti-Semitic Twitter rant, gets dropped by Jewish manager


JULY 25, 2020 2:20 PM



(JTA) — The influential British rapper Wiley posted a series of anti-Semitic messages on Twitter on Friday, spurring a wave of outrage and prompting his Jewish manager to cease representing him.

Among his comments were “I don’t care about Hitler, I care about black people” and “There are 2 sets of people who nobody has really wanted to challenge #Jewish & #KKK but being in business for 20 years you start to undestand [sic] why,” according to reports.
(...)
On Saturday, Wiley’s manager John Woolf said there is “no place in society for antisemitism” and announced that his management company had cut ties with him.
(...)
The UK Campaign Against Antisemitism said it reported Wiley to the Metropolitan Police, saying in a statement that he “has committed the offence of incitement to racial hatred, which can carry a substantial prison sentence.”
https://www.jta.org/quick-reads/uk-r...jewish-manager
 
Old August 15th, 2020 #8
Stewart Meadows
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The jews use their black puppet Cardi B to spread degeneracy to white teens:

Quote:
Cardi B’s WAP is no sexual trailblazer, it’s just another money-making hip-hop track with a faux political agenda created by men


Damian Wilson
is a UK journalist, ex-Fleet Street editor, financial industry consultant and political communications special advisor in the UK and EU.


14 Aug, 2020 16:15



The men behind Cardi B simply use her to shout obscenities so everyone will take note and pretend she’s a feminist touting a hypersexualized empowerment agenda. But it’s really all about making millions of dollars off her back.

Belcalis Marlenis Almanzar is everything to everyone. Feminist. Stripper. Catholic. Afro-Latina. Afro-Caribbean. Money-making machine. Influencer. And better known as hugely popular potty-mouthed rap act Cardi B.
(...)
WAP, an acronym for Wet Ass Pussy, is a song about a young girl falling in love with a handsome prince, then living happily together ever after. Not.

It’s more like a crazed three-minutes-and-eight-second boast from a sex-obsessed narcissist looking to up the ante on nastiness by telling us in workmanlike terms about the purported qualities of her vagina.
(...)
It’s derivative, been-there-before stuff, that female rappers such as Missy Elliott, Kelis, Lil’ Kim and more recently Nicki Minaj have all visited in their music. Sure, the language ratchets things up a notch but also poses a problem: what next? After rapping the advice to “bring a bucket and mop for this wet ass pussy,” where do you go next?
(...)
The men behind her have identified that they can use this empowerment claim to attract the significant demographic that has a strong online interest in Instagram and YouTube, loves any show about the Kardashians, and believes that untold wealth and fame alone are worthwhile goals if you just use what you got, girl!
(...)
What those of us with young daughters are afraid of is that they might take Cardi B seriously and copy the behavior of this off-the-wall misandrist into their real lives. It would be disastrous.

In much the same way as misogyny and the N-word populate the lyrics of Cardi B’s male counterparts, there comes a point when the lines about artistic freedom, keepin’ it real, sexual freedom and empowerment become just cynical music industry jargon used to dupe the public.
https://www.rt.com/op-ed/498037-card...sexualisation/

Here are some of the jews behind Cardi B:

Quote:
Sir Lucian Charles Grainge CBE (born 29 February 1960)[1] is the chairman and chief executive officer of Universal Music Group. Over the course of his career, he has worked with artists including Lady Gaga, Amy Winehouse, ABBA, Eurythmics, Rihanna, Sam Smith, Take That, Psychedelic Furs, The Rolling Stones, Sting, Jamie Cullum and Andrea Bocelli.[2][3][4] Grainge has worked in the music business for his entire career.[5] Billboard magazine named Grainge as the most powerful person in the music business on four occasions in the 2010s, and the first-ever Executive of the Decade.[6][7] (...) Grainge grew up in North London. He was raised Jewish.[8]
https://en.wikipedia.org/wiki/Lucian_Grainge

Quote:
Michael Mark Lynton (born January 1, 1960) is a businessman and current chairman of Snap Inc. He previously served as chairman and chief executive of Sony Pictures Entertainment.[2] In 2017, Lynton stepped down as CEO of Sony Entertainment to become Chairman of Snap, makers of the Snapchat mobile app.[3] On February 12, 2019, he was named as chairman of Warner Music Group.[4] (...) Lynton was born to a Jewish family[5] in London
https://en.wikipedia.org/wiki/Michael_Lynton

Quote:
Sir Leonard Blavatnik (Ukrainian: Леонід Валентинович Блаватнік, Russian: Леонид Валентинович Блаватник, Leonid Valentinovich Blavatnik; born June 14, 1957) is a British-American businessman, investor, and philanthropist. He made his fortune through business via diversified investments in myriad companies through his conglomerate company, Access Industries. (...) Blavatnik was born in Odessa, Soviet Ukraine, to a Jewish family.[7][8]
https://en.wikipedia.org/wiki/Leonard_Blavatnik

Leonard Blavatnik. "Trust me, goyim."

 
Old August 27th, 2020 #9
Stewart Meadows
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Gerald Elliot "Jerry" Heller (October 6, 1940 – September 2, 2016) was an American music manager and businessman. He was best known for his controversial management of West Coast rap and gangsta rap pioneers N.W.A and Eazy-E.
(...)
Born to a Jewish family in Cleveland, Ohio,[1]
(...)
In the 1980s, Heller began managing acts on the nascent Los Angeles Hip Hop scene, many of whom recorded for the now defunct Macola in Hollywood. He managed both C.I.A., which Ice Cube was a member of, and the World Class Wreckin' Cru, which included Dr. Dre and DJ Yella.[4] On March 3, 1987, he met Eazy-E, and the two became co-founders of Ruthless.[5] Under the direction of Heller and Eazy, Ruthless had 6 RIAA-certified Platinum releases in three years: Supersonic (J. J. Fad), Eazy-Duz-It (Eazy-E), Straight Outta Compton (N.W.A), No One Can Do It Better (The D.O.C.), Michel'le's self-titled debut, and Niggaz4Life (N.W.A).
https://en.wikipedia.org/wiki/Jerry_Heller

Muh homie Jerry be keepin' it real n shit, knowmsayin'?

 
Old August 31st, 2020 #10
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some of the biggest names in the business are Jewish-- Lyor Cohen of Def Jam, Steve Rifkind of Loud Records, David Mays of The Source-- to say nothing of those who course throughout the industry as label executives, entertainment lawyers, agents, publicists, producers, clothiers, and jewelers.
Quote:
Lyor Cohen (Hebrew: ליאור כהן; born October 3, 1959) is an American music industry executive. Cohen has been actively involved in hip hop at various record labels for more than 30 years. He started by managing rappers for Rush Productions, then led Def Jam.[1] After Def Jam, Cohen took on a leadership role at Warner Music Group. In September 2012, Cohen resigned from Warner and started his own independent label, 300 Entertainment. On September 28, 2016, Cohen was named YouTube's Global Head of Music.[2]
https://en.wikipedia.org/wiki/Lyor_Cohen

Now that negroes are rioting in cities all over America, I want to remind our lurkers that jews are the ones who have been promoting the anti-white hip hop/"gangsta rap" garbage.
 
Old November 1st, 2020 #11
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Nu-metal band System of a Down drummer criticizes BLM:

System of a Down’s John Dolmayan Continues to Criticize Black Lives Matter

Not bad for a mainstream band. as most mainstream rock artists seem to be PC and defend these Marxists nowadays.
 
Old November 28th, 2020 #12
Stewart Meadows
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Originally Posted by Stewart Meadows View Post
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The brilliant Eric Striker has written an excellent article about the jews who are responsible for Miley Cyrus's extremely disgusting behavior. Here are some excerpts:
 
Old March 7th, 2021 #13
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Jews control the music industry in Australia too:

Quote:
Australian music industry giant Michael Gudinski dies at 68


MARCH 2, 2021 5:31 PM



(JTA) — Michael Gudinski, an Australian music executive hailed as the public face of his country’s music industry has died. He was 68.

Gudinski died Monday in his sleep of a heart attack, Rolling Stone Australia reported.

The son of Russian-Jewish parents who immigrated to Australia in 1948, Gudinski started Mushroom Records in 1972 at age 20. The label would gradually become Australia’s largest and most influential, with a publishing arm and several famed signees, including the pop star Kylie Minogue and grunge rock band Garbage.
https://www.jta.org/quick-reads/aust...ski-dies-at-68
 
Old March 7th, 2021 #14
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Originally Posted by Stewart Meadows View Post
The "Nazi Germany" model looks like Grace Kelly. The past was a hell of a time.

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Political correctness is oppression disguised as good manners.
 
Old March 7th, 2021 #15
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Originally Posted by Stewart Meadows View Post
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Jews control the music industry in Australia too:


https://www.jta.org/quick-reads/aust...ski-dies-at-68
Was he behind this stinker?

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Old March 8th, 2021 #16
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As far as jew "lou pearlman" it was rumored back in the 80s and 90s when I was a kid that the children on the "mickey mouse club" were being raped!! That would include "justin" "britney" and "christina!" They probably went from the hands of 1 sex pervert to anouther!!

 
Old March 17th, 2021 #17
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Here's an especially disgusting and degenerate (c)rapper that's being promoted by the jewish music industry:

Quote:
Daniel Hernandez (born May 8, 1996), known professionally as Tekashi69 or 6ix9ine (pronounced "six nine"), is an American rapper, and songwriter. His music has been marked by an aggressive style of rapping, while his controversial public persona is characterized by his distinctive rainbow-colored hair, extensive tattoos, public feuds with fellow celebrities and legal issues.[5]
(...)
Hernandez was involved in a child sexual performance charge from 2015.[40][99] In October 2015, Hernandez pled guilty to a felony count of use of a child in a sexual performance. He was charged with three counts of the offense after a February 2015 incident in which he had physical contact with a 13-year-old girl and later distributed videos of the incident online as part of a music video. Three videos are described in the criminal complaint against Hernandez. In the first, "the child engages in oral sexual intercourse with the separately charged defendant Taquan Anderson, while the defendant, Daniel Hernandez, stands behind the child making a thrusting motion with his pelvis and smacking her on her buttocks. The child is nude in the video." The other videos show the child sitting on Hernandez's lap while Anderson gropes her breasts and later sitting naked across the laps of Anderson and Hernandez.[99]
(...)
On September 10, 2019, Hernandez admitted to years of domestic violence in a cooperation agreement. A section of Hernandez's cooperation agreement with the government, which had not previously been made public, listed a number of crimes that he committed and for which the government agreed not to prosecute him.
https://en.wikipedia.org/wiki/6ix9ine







Quote:
Originally Posted by Paul Anthony View Post
As far as jew "lou pearlman" it was rumored back in the 80s and 90s when I was a kid that the children on the "mickey mouse club" were being raped!! That would include "justin" "britney" and "christina!" They probably went from the hands of 1 sex pervert to anouther!!
Yes, you're probably right, Paul.
 
Old July 2nd, 2021 #18
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Old July 4th, 2021 #19
Miguel Dias
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so sad, these young men and women could be doing constructive things if it werent for the sh++ they were fed since childhood.
this is why porpaganda can be very dangerous, it affects the majority of the population, with all the nasty side effects if it is evil propaganda.
they talk about ww2 propaganda, but at least that propaganda was for the good of the blanch people. this shit is to end all of us, even fence sitters, even lost whites, and of course there minions after they lost their value! are you hearing me negro drones. if you keep destroying white civilization, the same will be done to your mud huts back in aperica. do you think they will stop.
for them only circumcized beasts are kosher enough. the first to be programmed will be their immediate enemies, us.
then the fence sitters, then by standers, and finnally all minions.
what a disgusting world they want to create.
 
Old August 28th, 2021 #20
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Walter Yetnikoff, schmoozy brawler who headed CBS Records, dies at 87


Jewish lawyer turned media kingpin found success with megastars such as Michael Jackson and Bruce Springsteen, but earned reputation for volatile, churlish attitude

By HILLEL ITALIE
11 August 2021, 5:40 am

NEW YORK (AP) — Walter Yetnikoff, the rampaging, R-rated head of CBS Records who presided over blockbuster releases by Michael Jackson, Billy Joel and many others and otherwise devoted his life to a self-catered feast of “schmoozing, shmingling and bingling,” has died at age 87.
(...)
He feuded with friends and enemies, with other labels and his own company. He called CBS chairman Thomas H. Wyman “Super Goy” and Wyman’s immediate successor, the cost-cutting Laurence A. Tisch, “the evil dwarf.” Simon would allege that Yetnikoff traumatized him to the point of writer’s block and turned Yetnikoff into a villain in his 1980 film “One Trick Pony,” in which Rip Torn played a boorish record executive. Yetnikoff could also be righteous, threatening to boycott MTV and its then-virtually all-white playlist after its initial refusal to air the video of Jackson’s “Billie Jean” and using his own money to buy back Joel’s song catalog from a former producer and give it back to the singer.
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His downfall came amid a storm of corporate turnover and backstabbing, and Yetnikoff’s personal chaos. By the late 1980s, his marriage to Slamar was collapsing and his treatment for alcoholism had not cleaned up his behavior.
https://www.timesofisrael.com/walter...ds-dies-at-87/
 
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