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December 10th, 2004 | #21 |
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I agree with the post on the other forum about how militant the wife was. Either we're supposed to think he did something bad that wasn't explained, to make her mean to her child's father or she's a feminist that has to be in charge. With her type , I always wonder what's behind it, are white men supposed to feel they're surrounded by all kinds of "militant" groups, step out of line and they'll all be ready. Or maybe they just want to portray all women as this kind of anti-male person. Susan Sarandon is that kind , I can't believe they have cast her as a love interest in some of the movies, she's so hard most guys would run the other way, probably.
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December 10th, 2004 | #22 |
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The Naked Jungle! Must see!
Charlton Heston did this one back in the 50s. He plays a South America plantation owner who built an empire out of the jungle, while the natives stand around and look simple. When faced with a maruading army of fire ants he stays and fights against nature when the natives run screaming. There are actually numerous mentions of race and caste, and Heston's character is clearly a white racist, even though there is no overt recial theme.
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December 10th, 2004 | #23 | |
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'Braveheart' crappiest film, ever?.
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December 10th, 2004 | #24 | |
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Braveheart is about the ideal of a people uniting behind a strong leader to fight for their national independance. Whether the enemy are niggers of other whites bent on subverting our freedom is irrelevant. There is just as much inspiration in fighting against corrupt whites as there is in fighting anything else. |
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December 11th, 2004 | #25 |
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Bronson's parents have Orthodox crosses on their headstones. Cecil B. DeMille also has a cross on his. No jew would allow that.
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December 16th, 2004 | #26 |
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Boudicca
Clash of the Titans The Land that time forgot/People that time forgot DragonSlayer Legend (and if fairytale is allowed) Snow White and the Seven Dwarfs Last edited by -LiveWire-; December 16th, 2004 at 06:01 PM. Reason: wrong film |
January 2nd, 2005 | #27 |
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Apt Pupil
I thought Apt Pupil was a neat movie. It's about a kid that finds an ex-SS Officer and threatens to blackmail him if he doesn't tell him how WW2 was. Anyway the SS Officer plays some head games with the kid and in the end the kid uses some head games that he picked up from the SS Officer to mess with this kike looking teacher.
Betrayed- Heavy anti-White bias but did have some great stuff in it. That was the one where they went out hunting niggers and talked about mud people and ZOG. Would recommend for those already racially aware. American History X- From what I've read the screen play had the skinhead returing to being a skin after the niggers killed his brother. Still this movie has some great action and speeches against ZOG, illegal aliens & gooks. |
January 10th, 2005 | #28 | |
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You can download it there. Better hurry.
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January 10th, 2005 | #29 | |
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http://www.indybay.org/news/2003/03/1579613.php Could barely get through it!
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February 2nd, 2005 | #30 |
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How about Planet of the Apes? What is the message to that movie series anyways?
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February 2nd, 2005 | #31 |
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From what I read in the reviews the first one had a pro-White message, the remake didn't, of course.
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February 3rd, 2005 | #32 | |
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This shit makes me sick. What happens to the poor kids when the fat fucking perverse Jewy politicians are through with em?
GOD I fucking HATE what this country has turned in to. These fucking people run our lives and our nation...there's so many fucking things wrong with that it ain't even funny. All these people belong hanging from lamp posts, but that'll never fucking happen because we have an amazing ability to just take what ever shit they throw at us. Makes me fucking ill. *deep breath*..... Quote:
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March 9th, 2005 | #33 | |
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So, DeMille seems to have been half jew by blood (if that bag of pig-shit Agnes De Mille is to be believed), but wholly and genuinely a Christian by belief - with strong but ambivalent feelings about jews. He goes with the propaganda about nobility and 'freedom' but at the same time when he shows jew characters, they are often realized via the most extreme anti jew stereotypes – and with wonderful sadism, played by squirming jew actors – the Shildkrauts or Edgar G. Robinson, for instance, who didn't turn down the gigs. I guess a pay check is a pay check. Perhaps DeMille’s religious upbringing, which reveres historical/mythical/fantasy kikedom, came into conflict with the evidence before his eyes? The subject is interesting and interestingly handled in his movies. Anyway, he is a fun, trashy filmmaker who can be taken quite seriously on the formal if not thematic level. And, there is lots of extremely amusing S&M in his films, too. |
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March 9th, 2005 | #34 |
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Didn't Shildkraut play Herod in Cleopatra? I just saw the flick just last night on TCM and thought what a remarkably jewy performance it was: the epitome of shifty-eyed kike treachery.
As for Edward G. Robinson, I've gotta hand it to the ugly little bastard: he had tons of presence. Always entertaining, even when starring in tikkun hose-jobs like Confessions of a Nazi Spy & The Stranger. |
March 10th, 2005 | #35 |
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Yeah, he plays Herod in that one. Pretty funny performance, too. Nice when jews just play themselves 'naturally' - there is no more disgusting spectacle in the world.
Ever see DeMille's The Sign of the Cross? It's a bit before Cleopatra (and before censorship) and the restored, uncut version is quite a blast. Claudette Colbert takes a bath in Asses milk (or some such substance) and if your eyes are sharp enough, at one point when the milk sloshes one way, her breasts slosh another and a very trim nipple is revealed for a second. When the 'good' virginal christian leading lady (Elissa Landi) won't put out for Fredric March (who seems to have a permanent boner throughout the picture) he sics Rome's leading sex-expert-lesbian (played very amusingly by Joyzelle) on Landi to heat her up. And there is lots of the best, and funniest, torture and such in the last 45 minutes - a battle to the death between giant Amazons and pigmy niggers (the niggers lose big time and mostly all get skewered like a shish kabobs). I think TCM shows it uncut now and then. |
March 10th, 2005 | #36 | |
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March 11th, 2005 | #37 | ||||
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April 3rd, 2005 | #38 | |
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A whole line of Planet of the Apes movies followed, and the pacifist propaganda became painfully blatant. The second movie shows fanatic humans who have survived in the desert, all hideously disfigured by radiation and worshipping -- a nuclear bomb. That is meant to mock those Americans who wanted the U.S. to defend itself, silly they. In another of the movies we see how the apes took over. Human pollution had killed off all horses, cats and dogs, so they started using apes as pets. Then they turned them into slaves as well. The apes revolt and we are supposed to cheer. In the movie right after that one we learn that the nuclear war was about killing off the emancipated apes. Now ape and man live in harmony outside the destroyed cities. But evil humans in the cities, of course pale and weakened by radiation so as to look as despicable as possible, attack the Utopia to enslave the apes once again. Btw, here we learn that it is impossible for apes to lie, and apes never kill each other, ever. So much more noble than lowly humans. But the inter-racial and inter-special harmony prevails, and noone makes the mistake of using evil technology again. The new Planet of the Apes movie is anti-racist propaganda. The apes are supposed to act like Southern slave owners. The general abuses the human servants and claims they have no souls, just like some claimed niggers had no souls back in the good old days. The human tribes in the desert have Whites, niggers and Asians all mixed together. Supposedly they have lived like that for hundreds of years without miscegenation. Wtf? And supposedly there's no hostility between the races, at least not that we can see. They are all united against the slave-owning apes. At the end the apes see the return of what they think is their messiah, a small monkey that jumps up in Marky Mark Wahlberg's waiting arms. That converts them all into one-worlders even though they've just had a great battle with the humans. One ape officer says all of the dead will be buried together, the graves all looking the same, so noone can see which graves are for apes and which are for humans. Oh, and Marky Mark kisses a liberal ape. Neat, huh? Both the old and the new Planet of the Apes make it very clear that the apes, although oppressing humans, are acting in self-defense, for they have realized how terribly destructive humans are when allowed to be in charge. Humans make scary weapons, you see. Only the untechnological going-nowhere society of the apes can survive on its own; human societies end in wars. In short, the Ape movies are leftist/Jewish propaganda at its ugliest. |
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May 25th, 2005 | #39 | |
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Sterling was a pacifist allegedly because of his experiences during World War II (the kike didn't like fighting the Japs in the Pacific; fighting and war is for goyim you know). I recall many of the Twilight Zone episodes having hokey antiwar themes. There was one episode where Dennis Hopper played a whacked out Nazi leader. |
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June 7th, 2005 | #40 |
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Hokey? LOL! Have you seen the Twilight Zone Movie? The first piece is about a white guy pissed off that his Jewish co-worker gets promoted by his Jewish boss and doesn't want niggers moving in next door to him (this film is from 1983!); he walks out of the bar and all of a sudden he's a Jew in 1940s Occupied Europe, then a nigger in the clutches of the KKK, then a Vietgook about to get attacked by a motley, multi-racial crew of 'Americans' (and you wonder why the US lost that war?), then back to Germany, then the South, and then he's about to die and the story ends. It's shit. Vic Morrow - the tough white guy 'bigot' of the story - died making that film. I don't envy him.
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